Posted by Stephen Head on 27th Nov 2025
Kopf Blog
Every once in a while as a builder, I come across a tonewood that makes me slow down without even thinking about it. That happened to me this week when I picked up some Koa and Redwood burl panels for
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Posted by Stephen Head on 21st Nov 2025
What Antonio de Torres Taught Me About Handcrafted Cajon Work
When people talk about legendary instrument makers, they often look for their "secre"t. Some formula. Some measurement. Some recipe that explains why one builder’s work stands apart from the res
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Posted by Stephen Head on 9th Nov 2025
Pomelle Sapele: The Depth and Movement Within the Grain
Some woods draw attention before they make a sound. Pomelle Sapele is one of them. Its surface looks alive, a three-dimensional ripple that shifts with the light, almost like water caught in motion. T
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Posted by Stephen Head on 7th Oct 2025
Tradition Isn’t the Goal — It’s the Byproduct of What Works
Tradition Isn’t the Goal — It’s the Byproduct of What Works
When people see me using shellac, hand-fit joinery, or old tools in the shop, they often assume I’m stuck looking b
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Posted by Stephen Head on 28th Sep 2025
Why Walnut Is a Favorite Tonewood for Cajon Players
Why Walnut Is a Favorite Tonewood for Cajon Players
When players ask me why I build so many walnut Cajons, the answer is simple: walnut delivers a sound that feels right in almost any musical setting
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Posted by Stephen Head on 21st Sep 2025
Cajon Wood Types: How Different Woods Shape the Sound
Cajon Wood Types: How Different Woods Shape the Sound
Most players choose a cajon because of how it looks. They see a beautiful piece of maple or walnut and make their decision on aesthetics alone. T
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